This is a Bryson Tiller inspired beat great for artist who are into the trap soul genre.
To view the many licensing options available to you click on the neon buy now button above. This beat was composed with no samples. Everything in this instrumental was played and selected by me. The instruments used are piano, organ, vocal Synthesizer, Electric guitar, Bass Synthesizer and trap drums. Mixing and mastering was also done by me. The beat took a little over an hour from start to finish.
Buying options and what to expect explained: All buying options are available for instant delivery and here's what's offered.
Licensing options: Here is a complete list of what to expect when you're buying beats from Fredkrush.com. 1.Standard- With the standard purchasing option you'll receive an untagged mp3 file (link) that will be sent to you instantly via email with instructions on how to down load your order. Contents of this option are: untagged high quality mp3, distribution limit of 5,000 digital and psychical copies sold, No ownership under this license Fred krush will remain the sole copyright owner.
2.Premium- With the premium option you'll Receive an untagged higher quality wav file (link) that will be sent to you instantly via email with instructions on how to download your order. Contents of this option are: Untagged higher quality wav, distribution limit of 10,000 digital and psychical copies sold, no ownership will be granted under this license. Fred krush will remain the sole copyright owner of any and all compositions licensed to you under this option.
3.Pro mix- With the pro mix option you'll receive an untagged highest quality wav file (link) that will be sent to you instantly to you via email with instructions on how to down load your order. Note this is the highest quality wav because its the mastered file. So it won't be as loud and you'll be able to have your song mastered by me or by another mastering professional of your choice.
Contents of this option are: Untagged highest quality mixed and untagged wav, distribution limit of 15,000 digital and psychical copies sold, no ownership will be granted to you under this license. Fred krush will remain the sole copyright owner of any and all compositions licensed to you under this option.
4.Exclusive-With the Exclusive option you'll Receive an untagged fully tracked out stem file wav file (link) that will be sent to you instantly via email with instructions on how to download your order. This option gives you the ability to have total control of your sound as it will allow you to take your recording sessions to a mix engineer.
Contents of this option are: This is a special order as price will vary because you the artist are buying exclusive usage rights that will allow you unlimited use and distribution of psychical and digital copies. Once the beat you desire to purchase for Exclusive use it will be marked as sold and will no longer be sold to anyone one else. As a registered composer of BMI and will require a royalty percentage Fred krush will remain the sole copyright owner of the purchased beat(s). Buyouts options for full ownership are available, however this will be priced higher. For more info on exclusive rights read: understanding exclusive rights
We all record vocals and want know that we’re doing our best in the process. It's the one element of a song that stands out the most to listeners hearing our music. In order to improve your recordings it will take skill and of course good recording equipment. It can seem daunting for beginners early on. But with a few tips on where to start will help give beginners a better understanding on how to improve their vocal recordings.
1.Having the right microphone
Finding the right microphone for the job can be done at an affordable price in Today's market. Depending on your budget you'll be able to find prices just under $700 dollars. You'll have several options to choose from in this price range. I highly recommend going out and trying out the equipment to see which microphone you sound the best using. Here are a few microphones to consider looking into:
2.Issues to avoid that ruin vocals- There are a few things to worry about when recording vocals. The first issue of concern is popping, The way we pronounce certain words we use have heavy plosives that are picked up by the microphone. The use of a popper stopper helps prevent these harsh sounding artifacts from carrying through.
3.Sibilance- This occurs when pronouncing “S” and “F” sounding words. Giving off a sharp “hiss” like piercing sound that offends our ears. This can be fixed with the use of software plug-ins using a De-esser or a multiband compressor to cancel out those unwanted frequency.
4.Room Acoustics- You could be doing everything else right but if you're room's acoustics are bad so will your vocal recordings. As well as not having proper acoustic treatment will contribute to this greatly.
5.Using effects during recordings- Certain problems can be dealt with earlier on during the recording process. Now this all depends on your work flow as some recording engineers may prefer to use effects early on so they don't have to apply them later on during the mixing stage. As I’ve mentioned before about sibilance. Using a multiband compressor or a De-esser during the recording process can help rid your recordings of those harsh sounding plosives.
Here's a video on how to remove sibilance using a de-esser.
All the hard work you've been putting in for your mix-tape from the recording and mixing will be for nothing if you fail to plan. Don't let your best efforts go to to waste from poor planning. This article can be used as a guide for aspiring artist based mix-tapes.
Commercial beats- In this day an age of the internet there's no excuse for an artist not to use original beats. If your in need of beats you'll find hundreds of thousands produces online who are selling beats for exclusive and non exclusive purchase.
Using tagged beats- Having a producer tag that can be heard playing throughout your songs is a bad move. It not only shows that you didn't pay for the beat you’ve recorded over but a blatant disregard for your craft.
Poorly Recorded songs- Just because its a mix-tape doesn’t mean you should skim on quality. Take the time to learn new recording techniques that can help improve your sound quality. If you hear something that needs to be fixed or improved do it.
Recycling Songs - Take the extra time to record new material. Putting songs from a previous project because you felt they didn't get enough exposure.
No Budget – You can't put out a project without a budget. The producers who's beats you've used need to be paid as well as the engineer who will mix your songs , the graphic designer who will be doing your art work and last but not least the Dj who will host your mix-tape.
No Dj- Technically it’s not a mix-tape unless a DJ is hosting it. Without a DJ its simply an album and not a mix-tape.
No Promotion- All the time and energy you've spent recording your work shouldn’t go unnoticed. Paid promotion is something to consider investing in as it can boost your reach and increase the possibility of being discovered by new fans.
Poor presentation- The art work representing your mix-tape is crucial to the extant of a potential fan considers to listen to it. There are many graphic designers online that create quality designs.
Too Many Songs- The average listener has a short attention span and will nit sit through a lengthy mix-tape. As an artist you have about 5-6 songs to make an impression on your listener before they start to lose interest. Keeping the number of songs down 10 if its your first mix tape keeps the listener wanting to hear more especially if its your first tape.15 songs is usually the standard across the board.
Too many features- If its your first tape you may wanna avoid having too many guest artist and give the listeners a chance to hear you as a solo artist. Now I’m not saying you should avoid having other artist on you mix-tape but more conscious of how your tape represents you as an artist.
Preparing your songs for a mix engineer can vary. As it pertains to the preference of the mix engineer working on your song(s). Some engineers may prefer you to send them your songs in the program session they were created in. While some may want you to send them individual stem files. But before doing anything there is much preparation on your end that needs to be done.
1. Labeling- Whether you're sending your project sessions or audio stem files you need to be organized. I have yet to see an artist record vocals without having any multiple takes and edits. With that being said make sure your labeling everything from intro chorus, verse one, bridge etc. Just because you might know where and what everything is doesn't mean the person who will be working on your tracks will. This saves you time and money as the mix engineer may feel like it's not part of their job to organize your work.
2. Clean up your tracks-The dead space that often appears after your vocal recordings should be trimmed down. This includes unwanted noises that may have been caused by improper edits such as clicks and pops and any other unwanted artifacts. The use of cross-fading at edit points will help fix most of these issues. Another good technique that can be used as a counter measure. Would be to solo your tracks to hear if you can identify edits while looking away from your computer monitor. These are preventive measures against unwanted artifacts that could affect the quality of your mixes later on during the mastering phase. Where the use of heavy compression will be applied to your song, amplifying any and everything that you may not have been able to hear before the mixing stage.
3. Bypass All effects Before you go and hit the export button make sure you have bypassed any EQ, reverb, delay and compression plug-ins that you have processing on any of the tracks. As this will cause issues for the person working on your tracks. Once you've exported your tracks. There will be no way for the mix engineer to bypass your effects, once you've exported your tracks. Resulting in a delay of your song being mixed. Because he or she needed to contact you about having your songs resent with unprocessed audio.
4. Folder And Content info-Besides labeling your files you also need to label the export folder you've created. You'll want to label your folder with the song title and tempo. Also including a notepad file within the content folder stating any useful information such as sample rate and bit depth of the exported track. Once you've got everything done. You'll need to send your files to your engineer using a file sharing system. To consolidate your file size a free to use program called “winrar” or “zip file” can be used for this. Now you can opt out and send just your folder as most file sharing sites will allow you to upload just your folder. Whether its dropbox or mediafire you'll be able to upload with ease.
These are good practices for any project you're sending to your mix engineer or even collaborating with a producer/artist. Most professionals will be happy and willing to guide you throughout the entire process. But having some knowledge of how to send your sessions helps increase the turnaround time for your project. There are a ton of tutorials that can help familiarize yourself with the process, using the DAW of your choice.
For artist who are unable to opt out for Wav leases as they can be pricey. When you're putting together a project and you're a few beats away from going over your budget. Here's a method that can help you save some money and preserve audio quality with your songs at the same time. For This method you will need to create a Wav file by recording from a mp3 file. While using a DAW of your choice but for this illustration I’ll be using Presonus studio one 3. This is a similar technique producers use to create beats from old and new recordings called sampling. But in this case the beat is already made, mixed, mastered and you'll just need to create a wav file from its recording.
Load up your DAW: While methods may vary upon program the principle remains the same and can be applied to any DAW.
Import the mp3 file: Set the project tempo to file you're going to use.Locate the mp3 in your file browser then drag and drop into the sequencer.
Create a “bus”: After you have imported the mp3 file, right click on the audio channel and select create bus.
Route audio to a send: Click send so that the audio can sent to another channel and make sure the “bus” is selected.
Create a new track. This new track is where you''ll be recording the audio to.
Choose “bus”: Now to receive the audio signal on the new track make sure bus is selected as the input source.
Adjust the input levels: At this point you should hear audio coming from the mp3 channel as well as the bus track. You'll also notice the sound being too loud.Adjusting the levels from mp3 channel so that it reaches a level you're comfortable with on the VU meter. you'll also want to give yourself some headroom for your vocals. You will need to adjust the volume levels to your liking. Adjusting the bus volume as well if you're unable to reach a desirable level.
Arm the audio track: Once you've adjusted the levels make sure the monitor tab is and deselected and arm the track.
Press record: Now that you have your levels and have armed your track click on record.
Review audio: Mute the mp3 and “bus” tracks to review what you've just recorded. Once you've finished recording your song you'll now have to Bounce it out to either a Wav 44.1khz 16bit wav or mp3 file. Depending on how your songs will be distributed online most companies will prefer you to upload in wav format only.
A few days ago an artist sent me a link to songs that he’d posted on his You Tube channel. In hopes of collaborating on a few songs with me. Now his songs were good and he has some real potential. However there were a few things setting him back. One of them being the quality of the recordings. His vocals sounded like they were competing with the volume level of the instrumentals he had chosen. While his songs were original the beat selections weren't. Most of the instrumentals he had chosen for his songs were already commercially released. This tends to be an issue amongst artist's who may just be starting out.
Even if the song you've recorded over the instrumental to sounds good. It will always be held to the standard of the original song. As most listeners will already have developed an attachment to the original. And the element of surprise will be lost. As listeners will already know what to expect. As your delivery and cadence may even resemble the original. The possibility of listeners returning to hear your music will decline. Using original instrumentals can help contribute to more than just better sounding recordings. It will also help with establishing a brand as an artist. Having all original material goes hand in hand when establishing an identity as an artist. Listeners want to be able to feel like they've discovered something new.
Finding an original beat in the same key as the commercially released instrumental you intended to use.Would be an alternative that will be beneficial for you as an artist. Choosing original beats is what helps with establishing a sound for your brand. One of the best places to start your search would be You Tube. Simply by typing in the artist's name followed by the words “type beat”. Will bring you to various if not similar styles of beats you're looking for. You'll even find producers who create that sound you’re looking for very well. A few great places you can also search are sites like Sondclick, Beatstars, Myflash and Soundgine. Now if you you're looking to grab a few free beats to test the waters. These sites are definitely a great places to start your search. Each of these sites have a top producer chart and that will give you a good idea on who's bringing their “A” game. A lot of producers at these site's are serious about their craft and will have links to their own beat selling websites as well. Where you'll be able to join their mailing lists and receive updates when new beats are posted. As well as beat deals and special offers.
Having access to an original beat means that you'll be able to have more control over the quality of your song. And for any reason needing changes to the instrumental. For example lets say you needed the kick and snare to be silent during certain parts of your verse. Having direct contact with the producer whom you've leased the beat from. Will come in handy in the future especially if you ever decide to purchase exclusive rights to the beat. This will also be in your benefit during the mixing and mastering stages. As Most producers online will offer mixing and mastering services to artist who purchase their beats. Using original beats for your songs can go a long way.